Three by Three – Sound

Worksheet

Images

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Satoshi Kon: Paprika (2006) — 3 Brothers Film
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Working title

  • Reflection
  • Grief
  • Shattered
  • Haunted
  • Memories
  • Memories of you

Audio pillars

Sound palette

  • Non-diegetic
    • Piano
    • Violin
    • Harmonising
  • Diegetic
    • Broken glass
    • Running tap
    • kettle boiling
    • Cars driving / honking

Style references

  • Psychological
  • Thriller
  • John Carpenter’s Halloween
  • Wes Craven’s Scream
  • Christopher Nolan’s Inception
  • Satoshi Kon’s Paprika
  • Satoshi Kon’s Perfect Blue
  • Scott Derrickson’s Doctor Strange

Challenges

  • Foley
  • Instruments

Plan and needs

  • Collab with sound students
  • Practice in garageband

Three by Three – Rework

Characters

  • Paranoid son
  • Deceased mother (son’s projection)

Goal

Leave his room.

Overcome his fear of the outside world.

Obstacle

Idea 1 – Self-doubt stemming from his overbearing mother. She doesn’t want him to take risks, so she puts negative thoughts into his head. As a result, he is afraid to leave his room.

Idea 2 – The son his paranoid of leaving his room after his mother’s unsuspecting death. He’s haunted by her ghost.

Setting

Physically takes place in his room, but we will view his fears the mother has projected onto him. To visually show the fears as projections the environment will be distorted.

Projections

The projections will be found all around his room, for example, in his television screen and on all his walls.

  • The Mother
  • Fake scenarios

Overcoming obstacle

The son reflects on happy memories of his mother, realising life is worth living.

Questions

Q. What is he in denial of?

A. Death is lurking around the corner. Isolating himself keeps him safe.

Q. How is it a problem?

A. He can’t survive all his life in his room, for example, he will need a job to pay for bills.

Q. What is his age?

A. Young adult, so late teens or early twenties.

Story

Summary

Protagonist overcomes his fear of leaving his room after the traumatic death of his mother, who haunts him through projections.

Act 1

Start with a close up of a picture dating the mothers death. Son is making two cups of tea. When he opens the fridge, he realises he is out of milk. Calls out for his mum to tell her they need milk before realising he’s alone. The son prepares to go to the shop. As he is about to leave, he hears his mother whisper to him. The son looks around to see he’s still alone. When he opens the door to leave, we are greeted by his mother peering in through the crack. The son jumps back, tripping as he falls, transitioning to act 2.

Act 2

The son falls on to the sofa. He turns to the kitchen counter to see his mother making tea. The son, confused, looks around before standing up and confronting the mum. When she turns to pour the milk, blood spills out and she starts distorting. The walls start to crumble, revealing a cityscape. Now in the city, the son sees a projection of his mother’s death. She shatters in front of him like glass. The son looks down to see his mother’s shattered shards on the road, only now there are multiple versions of her broken in the road. The environment also shatters, leaving the son to fall, landing in the corridor where he first met the ghost in act 1.

Act 3

After picking himself up off of the floor, the son looks back at the kitchen counter. Noticing the photo of his mother, he pauses, before looking back at the still opened door with the distorted projection of his mother staring back at him. We get one final shot of the son contemplating his decision to leave before cutting to black. The film ends on two readymade cups of tea.

Three by Three – Character arc

Mother

Traits

  • Overbearing
  • Possessive
  • Cares too much
  • Doesn’t physically appear but has a mental presence over her son

Motive

Wants to remain possessive over the son.

Development

Sets off son’s rage. stalks son through city, finally corners him into submission.

Son

Traits

  • Bottles up emotions
  • Warped mentality

Motive

Wants to be free of his mother.

Development

Isolates himself, reacts negatively to his mother’s presence in his mind, attempts to escape her, he reflects on his memories of the two, accepts the fact he can’t outrun her, comes to term with her existence, unknown if he accepts or rejects her.

IP3 – Research (continued)

How does politics influence Bleach?

What am I researching?

Bleach is a manga and anime that first began publishing/airing around August of 2001 and October of 2004, respectively. The mangaka (manga writer & illustrator) Tite Kubo is known worldwide for his hit series Bleach, crowning the title as a member of the Big 3 of Shonen manga during the 2000’s, but his experience didn’t start with Bleach, instead it started with it’s predecessor Zombiepowder. Unfortunately it’s lifespan only lasted four volumes before being cancelled due to mediocre reception. However, Bleach and it’s spin-off Burn the Witch lasted a total of 74 volumes, plus the ongoing spin-offs, and received the moniker as a member of the Big 3 due to it’s success. Becoming a member of the Big 3 wasn’t easy as high sales weren’t easy to achieve in an age of piracy, but Naruto, One Piece, and Bleach were able to carry Shonen Jump’s popularity through the 2000’s, dominating any competition.

I have chosen Tite Kubo’s Bleach to dissertate for my final year because it is a series I have grown to love since I was a teenager and is a story I appreciate more with every read through. After 10 long years the anime has returned for it’s, possibly, final season and I want to share my thoughts and critical analysis on the flawed world Kubo has written.

How will I research it?

Three by Three – Story

Act 1 – Show his problems

Scene 1 – Denial

The protagonist will be curled up in the center of a dark and empty room. As we slowly pan on him, we catch glimpses of his happy, but distorted, memories through projection.

Subtext – The protagonist is shutting himself off from the memories.

Scene 2 – Outburst

The mother will be stood by his side watching over. She’ll try to embrace him but the protagonist, in a fit of rage, pushes her away. Shattering the mother and the room, transitioning into the city for the second act.

Subtext – The protagonist rejects his memories. We will witness the first break in reality with the shattering.

Act 2 – Running away from reality

Scene 3 – Escape

Establishing shot. Montage of the protagonist running through the city. As we watch the protagonist run away the environment disintegrates behind him. Meanwhile, the mother/memories will be following him through nearby screens. POV shot of the protagonist running up the street, slowing down when hitting the junction. Ending on a reflection shot of him looking into a shop window.

Subtext – The protagonist attempts to escape his memories but comes to a sudden halt when confronted at the junction for an unknown reason.

Scene 4 – Loss

The protagonist realises he’s being followed and can’t outrun the memories. Still in first person, we will continue to watch the memories on the TV. Camera focus will shift back onto his reflection with his distorted mother now behind him. A wide shot pulling away from the protagonist and viewing the city behind him repair itself.

Subtext – The protagonist, now realising he cannot outrun his memories, decides to reflect as he is now at a loss for what to do. Allowing him to snap back to reality.

Act 3 – Accepting reality

Scene 5 – Acceptance

Final scene

We focus back onto the characters still staring at the TV in the window. The mother hugs the protagonist from behind, he reaches his arm towards her embrace before the screen (and audio) cuts to black. Leaving the ending ambiguous as we are unsure whether he accepts or rejects his mother’s embrace.

Subtext – The protagonist will have come to terms with his overbearing mother, coming full circle as he inevitably moves on.